Theatre Review: Les Ballets Trockadero de Monte Carlo

There are few productions that can genuinely claim to offer something you've never quite seen before, but Les Ballets Trockadero de Monte Carlo certainly falls into that category. The internationally renowned all-male ballet company arrived at Milton Keynes Theatre with its trademark blend of classical dance, parody and theatrical mischief, delivering an evening that was as entertaining as it was unusual.

Celebrating more than fifty years of delighting audiences around the world, the company has built its reputation on affectionately sending up the traditions and conventions of classical ballet while simultaneously demonstrating considerable technical skill. Their programme included excerpts from Swan Lake, Go For Barocco, the legendary Dying Swan and Walpurgisnacht, providing plenty of opportunities for both dance and comedy to take centre stage.

The comedy element is undoubtedly what attracts many audience members. From deliberately exaggerated facial expressions and mock diva behaviour to perfectly timed pratfalls and visual gags, the production rarely takes itself seriously. The audience responded warmly throughout, with several moments provoking genuine laughter. However, while the humour is consistently playful and charming, it is perhaps more comical than outright hilarious. Some jokes feel familiar and occasionally linger a little longer than necessary, but the company's infectious enthusiasm ensures the evening never loses momentum.

Where the show succeeds most is in its ability to celebrate ballet while gently poking fun at it. The dancers clearly possess a deep understanding and respect for the art form, allowing them to parody its traditions without ever descending into mockery. The famous Dying Swan remains a particular highlight, combining technical accomplishment with wonderfully absurd comic timing.

Those expecting the artistic standards of companies such as the Royal Ballet, English National Ballet or the imaginative storytelling of Matthew Bourne may find themselves adjusting expectations. While the dancing is accomplished and often impressive, it does not consistently reach the breathtaking technical heights associated with the world's leading ballet companies. The focus here is firmly on entertainment rather than artistic perfection.

That said, comparing The Trocks directly with traditional ballet companies arguably misses the point. This is a production that occupies its own distinctive space between dance, comedy and cabaret. Its appeal lies not in delivering definitive performances of classical masterpieces but in offering a witty and accessible celebration of them.

The company's origins as a trailblazing ensemble challenging conventions around gender and performance continue to give the show an added layer of significance, although today's audiences are more likely to appreciate the production simply for its joyful sense of fun and individuality.

Ultimately, Les Ballets Trockadero de Monte Carlo provides a thoroughly enjoyable evening that is refreshingly different from almost anything else currently touring. It may not leave you marvelling at the finest ballet technique you've ever witnessed, nor will every joke have you doubled over with laughter, but it offers something equally valuable: two hours of light-hearted escapism, delivered with charm, personality and plenty of tutus.